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  <a href="/news/blog/7651714/a-long-winded-rant-about-new-beginnings-in-songwriting-being-like-water-musical-collaborations-a">A long-winded rant about new beginnings in songwriting, being &quot;like water,&quot; musical collaborations, and the misnomer: &quot;solo artist&quot;</a>&nbsp;
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  <div class="message"><p>About a year and a half ago, I fired up music again after a very long hiatus. I started it off with my proverbial hat in hand. This time around, I didn't want to go into it with grandiose plans: I wasn't going to dabble with sampling, synthesizers, woodwinds, and a half dozen other instruments. I wouldn't even play electric guitar (yet), nor get lost in a jungle of pedals and distractions. In fact, my ambition was to simply play and perform at our local open mic. I would also set strict limitations on myself to avoid the mire of infinite choices that plagued me in the past: I was allowed to play acoustic guitar and sing. Nothing else. At this point, I hadn't written a song in many years. I had fresh and unexpected inspiration and desire suddenly, but desire in particular can be a fickle mistress. The last thing I wanted to do was to dash this sudden motivation against the rocks of severity and pretense, and to again disappoint myself. In other words, I did not want to take myself too seriously this time around.</p><p>A few months into this coy approach, the urge to write (not just play) had returned. It started relatively small, as I had so many cobwebs to shake off, not to mention new skills to acquire, both as a guitarist as well as a singer. I started by writing a single song, followed by another shortly thereafter, and then another. Within several months, it became clear to me that this foray into music was unlike other times. Something dramatic, if not mythic, had occurred inside of me. The inspiration, creativity, <i>and</i> desire had become a reliable triad and formed a firestorm. I didn't just want to write; I couldn't stop it, nor did I want to. I felt as if I were being carried by a tremendous wave. I couldn't see where it would take me. The shore was hardly visible anymore, but I wanted to be taken, so I simply let go. </p><p>Several months into open mics, I played my first show on acoustic guitar. That first gig was the launching point for all the others that followed. Since then, many new songs have been written and many small and smallish shows have been played. My limited instrument format is somewhat intact, but I have over a dozen new, complete tunes and many ideas. In fact, the only reason I <i>don't</i> have more songs is because I need to put the brakes on in order to record an album. If I am constantly writing, I'll find myself tempted to discard songs before they ever make it to the studio (a common problem for songwriters). I also need to expand the scope and impact of my live performances. My songs would benefit from additional instrumentation when performed live. This requires a new band of talented, skilled, and reliable people. Thankfully, I am now working with a very good drummer and bassist who are elevating my tunes at practice. Soon we'll be playing shows together as a unit, and even sooner we’ll be in the studio recording. I am also fortunate to be working with multiple other amazing instrumentalists and fellow songwriters who bring so much force and texture to my tunes in the studio. Much has changed in the past year. I have been very productive musically and have made so many wonderful connections, both musicians and non-musicians alike. I still find myself standing in awe of it all.<o:p></o:p></p><p>There are a few lessons to take from this. <o:p></o:p></p><p>The first is to never take the thing that brings you joy and turn it into a chore. Keep it fun and loose. Interestingly, my best work (and not just in music) came out of a light approach, not light in terms of intensity and frequency, but light in terms of attitude. We achieve a greater state of flow through presence, not through grind. Grind has its place: It can get us temporarily through bouts of writer's block and (sometimes) depression, but grind is a survival tool, a means of hanging on and not a means to flourish. To flourish, we must approach creation and life the way a child does: with looseness and play. This isn't to say we shouldn't also be constantly improving and expanding our skills. We need to do this as well as to create more effectively, but in creation (and in life), it is crucial to let go. Even in our most serious work, we must let go for it to reach its full potential. As someone who used to train in an MMA gym, I can tell you looseness is everything. When I was tight on the mat, I exhausted myself or was more injury-prone. That said, like MMA, kickboxing, and grappling, in music, you still have to show up to practice regularly. You have to put in the work, or you'll just be another talent with no hustle and a long list of "what ifs." <o:p></o:p></p><p>The next lesson is to lean into community and relationships when it comes to music, not to mention life. As a solo artist, I'll be the first to tell you I am not "solo." In most cases, "solo artist" is a misnomer. Trent Reznor (AKA, Nine Inch Nails), for example, may be one of the most "solo" artists in history, but he has had tremendous help in his process. For me, being a solo artist means I write and structure the songs as well as act as a sort of creative director or producer. In a more traditional band format, there is often a degree of democracy. This has a lot of value, particularly when each member of the band pulls their own respective weight. It can expedite the songwriting process, but it can also hamper it and water down a creation. One is not better than the other. Like all things, it depends. As for me, acting as both the songwriter and producer ensures my visions won't be watered down by potential ego battles, at least in the current format. That said, a good producer does not necessarily compose all of the various layers and instruments in the song. Quite the contrary. A good producer will lean on the expertise of his or her collaborators (Hans Zimmer is a master at this, as I understand it). This approach does require a considerable degree of coordination, not to mention relationships built on trust and mutual support (especially if you don't have Hans Zimmer pockets). For myself, I have been fortunate enough to make incredible friends in our PNW music communities over the past year. Many of these individuals, as you'll see in the coming months, take my songs from the stripped-down acoustic + vocal space, to much bigger full-featured songs. In some cases, I compose their contributions, but in many, I give a rough idea and let them run loose with their amazing skills and creativity. Even in a hypothetical, near-impossible world where I played every single instrument well, I would not have the same mind and heart as the other person.</p><p>Here is an ADHD-colored example:<o:p></o:p></p><p>Yesterday I wrapped up recording for an acoustic version of "Strange Winds," a song I wrote last year. It was originally just a live couch take of the song. Two layers: vocals and acoustic guitar on my part. I didn't even intend to use it as a release, but I reached out to my friend and fellow songwriter, Lucas Hobbs, to add harmonies to it. He did a great job. Then, while attending my friends Brian and Elise's (AKA the Love Grubs) engagement party (congrats you two!), I mentioned the idea of adding female choral backing vocals. Elise, being a stellar singer, offered to do the job. Her friend Emily (Ovall), also a great singer, offered to sing alongside her and harmonize. Within the week, we had them both recorded. I was stunned by what they achieved in unison. Things were now sounding very cool, but I knew the song needed more, so I reached out to my friend and local guitar and songwriting hero, Jerry Battista, to add lead melodies to accompany my guitar. We recorded him, and it was amazing. It then dawned on me that all of these layers would benefit from some percussion. While cajón was the initial strategy, I didn't record this to a click (a general no-no), but I listened to the song so many times that I became acquainted with all my wonky tempo variations, so I took a stab at it with the djembe that my drummer Kenneth had left at my house. After a week of practicing with it and finally recording, the djembe suited just fine, but now I was getting greedy. I heard cello in my head... I didn't play cello. I didn't even have friends who still played cello, but I remembered a referral from my friend Joe (also a local musician) to an amazing cellist in our area: Anastasiia Ermolaeva / AKA Dolorress. Sure enough, she delivered in droves. After her incredible playing was tracked, the song, which had started as a mere couch take with a single mic and DI'd guitar, was beginning to take on a much larger scope. But wait! Now I heard tambourine... After battling with it for some time, I settled on how I'd use it, but as I didn't have a ribbon mic nor feel like purchasing one, I was battling the tambourine's harsh, bright tones in my condenser mic, so what to do? I reached out to a great engineer I had worked with in the past and will be working with again soon: Robbie Houston, and asked two questions: “Do you think tambourine is suitable for this song and, if so, what mic'ing techniques do you suggest using?” He answered yes to the first question and, to the second, ample distance was suggested. Next, I recorded tambourine. What followed was hours and hours of manual alignment of hits, beats, etc, as was done with many of the other percussion tracks due to my lack of initial click. This may have taken me 6-8 hours per track. No joke (Word of the wise: If you have the ability but not Kanye money, do as many production .wav form edits yourself before shipping your stems to the mixing engineer wizard… also, use a click wherever it is suitable). <o:p></o:p></p><p>So that was long-winded. I am not going to force you to count how many people were listed above. Including myself there are 8. This does not include the mixing/mastering engineer who will work his magic on the audio stems, nor my wife who has graciously given me the time to hyperfocus like a madman on all of these tasks. It also doesn't include the amazing people in my community who rooted and cheered for me before I did, and inspired me to begin this journey.</p><p>This doesn't sound a lot like a "solo" project, does it? In my mind, a solo artist has only a few fundamental requirements: Original songwriter/composer (sorry, corporate and media-backed pop artists... You're out), instrumentalist, and producer. Too many of these so-called "solo" artists do not give enough credit to the amazing people who take their songs to the next level. I'm here doing it, because without the amazing people above, my songs would be limited in breadth. There is nothing wrong with stripped-down acoustic and vocals. In fact, it can add a level of intimacy, but when my brain is screaming "CELLO" and my guitar keeps sounding like a guitar, I am going to reach out to an amazing cellist (Thank you, Anastasiia/Dolorress). <o:p></o:p></p><p>One final point on the above: Offer to pay the musicians who are contributing to your work. If they are content with you offering equal value in some way (free studio time, an exchange of musical cameos), that's fine, but make sure they are okay with it. Musicians, like all artists, should be compensated for their work or at least have the option of being compensated in some form. <o:p></o:p></p><p>Anyway, this was supposed to be a few paragraphs, but it became a long-winded rant. If you made it this far, hats off to you. Welcome to my brain (It’s a wilderness). I refuse to use AI to write my blogs, so you are left with this.<o:p></o:p></p><p>Have a great week! If you are in the greater Seattle/Snoco area, I hope to see you at the October 27th show at the historic Oxford Saloon in Snohomish with The Love Grubs, otherwise, I'll have a series of Seattle gigs in the months that follow.<o:p></o:p></p></div>
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  <a href="/news/blog/7642088/musical-collaborations-new-songs-and-recording">Musical collaborations, new songs, and recording</a>&nbsp;
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  <div class="message"><p>It has been an incredible several months for music on multiple fronts. New songs have come forth like mini volcanic eruptions. Collaborations have also been fruitful, both with other songwriters as well as other instrumentalists. The downside (if there is one) is that recording has come much slower, though that is about to change in the coming weeks and months. <br><br>The thing about songwriting is that it is dreadfully easy to become numb to our songs as new ones emerge. This isn't necessarily because our “older” songs aren't good or even great, but because we've played them so many times that they lose their virility. That's why it's so imperative we record them as soon as we have them down comfortably, but not so comfortably that our passion has dimmed. Songs are time capsules, and in an era of AI- driven rubbish, recording <strong>real </strong>people in the raw really captures the integrity and passion in our work. <br><br>The past year has given some of my songs a good amount of play time, such as “Nightcap Darling” and “Strange Winds.” These are likely the two I'll be recording soon (Nightcap for sure) which is why I booked a day at <a class="no-pjax" href="https://www.templeofthetreesstudio.com/" data-link-type="url">Temple of the Trees Studio </a>in Seattle at the end of October. I'm so excited to finally get tracks laid out for this tune and have it mixed, mastered, and released for you all. It will be released first as a single, and later re-released on the eventual album. <br><br>Temple of the Trees is one of the coolest studios around. Some of my personal heroes have recorded there, such as Maynard James Keenan of TOOL, Puscifer, and A Perfect Circle. Just getting to set foot in there has me humbled and grateful. I'm also looking forward to working with <a class="no-pjax" href="https://www.robbiehoustonmusic.com/" data-link-type="url">Robbie Houston </a>again, who will be lending his recording and mixing prowess to the tracks.<br><br>As for other recordings, I'll be recording and releasing acoustic or “unplugged” variations of some of my songs as well, since the album will be a longer-term effort. Expect an acoustic version of “Strange Winds” and others to be released in the coming month or so, with amazing contributions from some fantastic Seattle and Snoco-area artists such as Jerry Battista of <a class="no-pjax" href="https://davanos.com/about-the-davanos/" data-link-type="url">the Davanos</a>, Lucas Hobbs, Elise Dahlberg of <a class="no-pjax" href="https://thelovegrubs.com/" data-link-type="url">The Love Grubs</a> (Congrats to her and Brian on their engagement!), Emily Ovall, and Rolf DeDamme. As for the upcoming work at Temple of the Trees, I'll be working with drummer Kenneth Maldonado as well as jazz bassist extraordinaire Fredy Andrés.<br><br>Collaborations like this really bring my songs to life. Songwriting for me starts with solitude, introspection, and generally a guitar on my lap, but the end goal is typically collaborative, and the talent pool in our region is undeniable. I am also extremely grateful to have made friends with such brilliant artists who have offered their skills and talents to fortify and elevate my tunes. <br> </p><img src="//images.zoogletools.com/s:bzglfiles/u/1121434/4b0e102ebfb1f49030803ab2d6c7c210f1c065fd/original/temple-of-the-trees.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" height="1283" width="2048" /><p style="text-align:center;"><span class="text-small">Temple of the Trees Studio in Seattle, WA</span></p><img src="//images.zoogletools.com/s:bzglfiles/u/1121434/a2a93ea91cc338a91253530119c89432b1f52249/original/20250510-173758.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" height="3392" width="2544" /><p style="text-align:center;"><span class="text-small">Robbie Houston and I at Orbit Audio in Seattle, WA</span><br> </p><img src="//images.zoogletools.com/s:bzglfiles/u/1121434/36eb1e2311c64ed2d9fc98d39f0c7740affc8f36/original/jerry.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" height="720" width="1280" /><p style="text-align:center;"><span class="text-small">Jerry Battista of the Davanos</span><br> </p><img src="//images.zoogletools.com/s:bzglfiles/u/1121434/053b8e117b8c5db986474b3192bad8a88c20e734/original/meta-eyjzcmncdwnrzxqioijiemdszmlszxmifq-2.webp/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" height="1006" width="1800" /><p style="text-align:center;"><span class="text-small">Elise Dahlberg and Brian Hassler of “The Love Grubs”</span><br> </p><img src="//images.zoogletools.com/s:bzglfiles/u/1121434/165e74c2a16adeccce0108c3a30f48e67a42c079/original/20251005-135426.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" height="3000" width="4000" /><p style="text-align:center;"><span class="text-small">Emily Ovall and Elise Dahlberg</span> </p><p style="text-align:center;"> </p><img src="//images.zoogletools.com/s:bzglfiles/u/1121434/97653d7b84afdef331804f4ab12252c05cc0c8aa/original/img-0856-1.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" height="4000" width="6000" /><p style="text-align:center;"><span class="text-small">Lucas Hobbs</span><br> </p><img src="//images.zoogletools.com/s:bzglfiles/u/1121434/aa8c34ead2f0973161e803771a416bdc424bdf94/original/img-0020.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" height="6000" width="4000" /><p style="text-align:center;"><span class="text-small">Rolf DeDamme</span><br> </p><img src="//images.zoogletools.com/s:bzglfiles/u/1121434/bc18efe6b8ee01b76fcd7d0c922ca2974c199ba4/original/img-1646-1.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" height="6000" width="4000" /><p style="text-align:center;"><span class="text-small">Kenneth Maldonado</span><br> </p><img src="//images.zoogletools.com/s:bzglfiles/u/1121434/9bfdcc894abe919816ed71cb47e3c5d758c7332e/original/54792169960-8dcae93260-k.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" height="1920" width="1281" /><p style="text-align:center;"><span class="text-small">Fredy Andrés</span></p><p style="text-align:center;"> </p><p style="text-align:center;"> </p></div>
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  <div class="message"><p>What an honor the share the stage with such amazing songwriters and performers downtown yesterday. Huge thanks to Izzy Burns, Mano Chando (Eli) and Sam Cori for coming down and putting on such spectacular performances. I'm lucky to be surrounded by such skill and talent. </p><p>Huge thanks to yall who came out, and to the Funhouse Seattle crew for being so accommodating. See yall soon!</p><img src="//images.zoogletools.com/s:bzglfiles/u/1121434/d7408e3a6aba4193056bcce55ec4fa3e6a384639/original/img-0809-1.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" height="6000" width="4000" /><img src="//images.zoogletools.com/s:bzglfiles/u/1121434/acd6c478f0a314c56a9649d0f37584fba8082bf4/original/img-0721.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" height="6000" width="4000" /><img src="//images.zoogletools.com/s:bzglfiles/u/1121434/0a8fb805d32865aa00333000402b18c7caf9e5fc/original/img-0767.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" height="6000" width="4000" /><img src="//images.zoogletools.com/s:bzglfiles/u/1121434/1bdcbed719c4a4ae336da0f7fed6b3125a045f7b/original/img-0726.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" height="4000" width="6000" /><img src="//images.zoogletools.com/s:bzglfiles/u/1121434/be15feef3e6080790201571c21ff761e5aeefb9c/original/20250827-230834.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" height="3000" width="4000" /><img src="//images.zoogletools.com/s:bzglfiles/u/1121434/98934468bc5870e89c4e1adc1da23b3e417f961d/original/20250827-225750.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" height="4000" width="3000" /><p> </p></div>
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  <a href="/news/blog/7615804/8-27-pnw-songwriter-s-showcase-at-the-funhouse-el-corazon-in-seattle">8/27 PNW Songwriter&#39;s Showcase at the Funhouse (El Corazon) in Seattle</a>&nbsp;
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  <div class="message"><img src="//images.zoogletools.com/s:bzglfiles/u/1121434/0579e42ce1d0d0e825592c16a9141b5c35405362/original/funhouse-11x17-socialmedia-1.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" height="1080" width="1080" /><p>Very happy to say I'll be hosting a songwriter showcase in downtown Seattle at the end of the month. I'll be lucky enough to share the stage with some very skilled and talented artists. Check out their bios below:<br><br><a class="no-pjax" href="https://www.izzyburnsmusic.com/" data-link-type="url"><i>Izzy Burns</i></a><span style="color:rgb(34,34,34);"><i> is an American folk-pop singer from Moscow, Idaho, who sings because she once couldn’t. Despite facing significant medical challenges early in life, including an emergency tracheostomy surgery that initially left her without a voice as a child for the first two years of her life, Izzy has defied the odds to become a talented musician and singer. After many surgeries and years of therapy she was able to not just speak, but sing and Izzy began to immerse herself in singing, playing guitar, and writing songs.</i></span></p><p><span style="color:rgb(34,34,34);"><i>Her career took a pivotal turn when she sat on a plane next to Mellad Abeid, a guitar professor at Gonzaga University, who helped refine her songwriting and production skills. Izzy’s story of overcoming early life adversity to become a celebrated artist is a testament to her strength and dedication. </i></span></p><p><span style="color:rgb(34,34,34);"><i>Her music, available on major streaming platforms, and reflects her deep passion and resilience.</i></span><br><br>I very recently heard Izzy perform at the Conor Byrne Pub song circle in Ballard (Seattle, WA) . I was extremely impressed with her original songwriting as well as singing and playing. She is a tremendous talent.<br><br><a class="no-pjax" href="https://www.iamsamcori.com/about" data-link-type="url"><i>Sam Cori</i></a><i> is an award-winning genre bending Singer/Songwriter, Multi-instrumentalist, Audiobook Narrator and Voice Actor.  She writes quirky, romantic, soulful, sexy music for the people of Tacoma, WA; fan favorites include “Douche Bag”, “Dad Bod”, “Oh, Lucy”, “Douche Bag the Sequel”, and “Moby Dick”. She recently opened for Crash Test Dummies at The Lincoln Theater, and won "Best Hip Hop Artist" and "Best Up and Coming Artist" in the Washington Independent Music Awards.  Her song “Douche Bag” was recently chosen for the Autumn 2024 anthology of poetry of, about, or inspired by Tacoma, entitled “Voices of Tacoma: A Gathering of Poets”.  Sam loves The Beatles and Gertrude Stein and can rap the entire periodic table of elements in under 40 seconds.</i><br><br>I first heard Sam on Instagram. Her originals are absolutely hilarious and lively, and she is a tremendous singer and player. <a class="no-pjax" href="https://weekly-volcano.com/sam-cori-wins-big-at-washington-state-independent-music-awards/" data-link-type="url">Here is a very cool article on her as well.</a><br> <br><i>Mano Chando is a philosophical surfer of diverse topics, weaving themes of Infinity and cosmology into driving acoustic tunes. </i><br><br><i>As a songwriter and composer, Chando's music has been featured on television and in films, including soundtrack placements in major film releases. Their music has been covered by various artists around the world, and has been featured on the official Starbucks playlist. </i><br><br><i>As a composer, Chando creates cinematic soundscapes with multi-instrumental motifs. As a performer, they strip their music down to acoustic guitar and resonant vocal melodies.</i><br><br>Mano Chando (AKA Eli / Tobias the Owl) I know personally from the Everett music scene. His music is emotive and lush with soundscapes. I'm very looking forward to performing with him.<br><br>I'm very much looking forward to this show! If you are in the area or can make the drive come on out!!<br><br> </p></div>
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    <p class="post-info"><span data-time="2025-08-06T20:41:24-07:00" title="August 06, 2025 20:41">08/06/2025</span></p>

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  <a href="/news/blog/7605838/wanted-bassist-and-lead-guitarist-also-violinist-and-or-cello-player">Wanted: Bassist and Lead Guitarist (also violinist and/or cello player)</a>&nbsp;
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  <div class="message"><p>There have been some very exciting developments over the past several months: recording sessions, live performances and bookings, multiple new songs being written, amazing musical collaborations I've been lucky enough to have.</p><p>In light of all that I've decided to go forward on putting together a band to perform with live. As of now, I'm working with a good drummer and a cajón player, so I thought I'd put it out to the ether that I am looking for both a lead guitarist as well as bassist (upright would be amazing though not essential) for live shows, possibly studio recordings as well. I am also on the lookout for a cello player and/or violinist as well for studio work, possibly live too.<br><br>Feel free to pass this on or, if you are interested hit me up! Collaboration with other artists is one of the greatest joys of this musical journey.</p></div>
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    <p class="post-info"><span data-time="2025-07-15T15:20:44-07:00" title="July 15, 2025 15:20">07/15/2025</span></p>

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<h2 class="heading-secondary heading-blog alt-font">
  <a href="/news/blog/7590495/the-wraith-reimagined-remixed-and-re-released-featuring-guest-artists">&quot;The Wraith&quot; reimagined, remixed and re-released featuring guest artists</a>&nbsp;
</h2>

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  <div class="message"><p>Very excited to re-release “The Wraith” with some new elements to it, in particular contributions by two of my favorite local artists: Jerry Battista (Of the <a class="no-pjax" href="https://davanos.com/about-the-davanos/" data-link-type="url">Davanos</a>) and Hannah Cody (AKA <a class="no-pjax" href="https://captainhuckleberry.com/" data-link-type="url">Captain Huckleberry</a>). Jerry was kind enough to lend his amazing lead guitar prowess, and Hannah her fantastic voice and harmonies. I also did some light percussion of my own and added some Armenian duduk for good measure. Give it a listen. It's free to download <a class="no-pjax" href="https://raybaron.com/single/146617/the-wraith" data-link-type="url">here</a>, <a class="no-pjax" href="https://raybaron.bandcamp.com/track/the-wraith-feat-hannah-cody-jerry-battista" data-link-type="url">bandcamp</a>, and is on all major streaming platforms such as <a class="no-pjax" href="https://open.spotify.com/artist/1x08IHsY59BUDKO2VqnxwE" data-link-type="url">Spotify</a>.<br><br>Also, I want to give a special shoutout to Robbie Houston of Orbit Audio in Seattle who did a great job with the mix and master!<br><br>Happy Friday (the 13th)!<br><br>-Ray</p></div>
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    <p class="post-info"><span data-time="2025-06-13T10:15:34-07:00" title="June 13, 2025 10:15">06/13/2025</span></p>

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<h2 class="heading-secondary heading-blog alt-font">
  <a href="/news/blog/7576003/recording-and-other-items">Recording and other items</a>&nbsp;
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  <div class="message"><p>I had an amazing experience last week at Orbit Audio working with Robbie and one of his students. It really is a great recording space with great vibes. <br><br>In the coming weeks and months, recording will be front and center. My goal is to release a few singles before plugging away on the album which will be a longer road. The most recent song (and only release): “The Wraith” is undergoing some very cool changes, specifically guest vocals from a very talented up-and-coming singer-songwriter Hannah Cody who goes by the stage name Captain Huckleberry. In addition, keyboards or organ will be added by another extremely skilled and talented Seattle-based artist and personal friend of mine: Farkhad Saidmuratov who is known for his excellent work with New Age Healers as well as his solo project: Kotlovan. It should go without mentioning you should check out both Hannah and Farkhad's work! They are on major streaming platforms. They are fantastic original artists and I'm grateful to have them involved in this project.<br><br> </p><p> </p></div>
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    <p class="post-info"><span data-time="2025-05-15T10:19:59-07:00" title="May 15, 2025 10:19">05/15/2025</span></p>

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  <a href="/news/blog/7570208/the-wraith-on-acoustic-available-for-free">&quot;The Wraith&quot; on acoustic available for free</a>&nbsp;
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  <div class="message"><p>Just letting you all know I have recorded and released an acoustic take of “The Wraith," available for free both here as well as on raybaron.bandcamp.com. Huge thanks to Craig at MixCave Mastering for great work and an incredibly fast turnaround.<br><br>This version of “The Wraith” is a stripped down acoustic live take. In the very near future another version will be released with a few additional elements including some guest vocals.<br><br>Streaming platforms will also be in the not-too-distance future.<br><br>On another, related note, I'm less than 1 week out from recording at Orbit Studios in Seattle.<br><br>Lots more to come.<br><br>Cheers!<br><br>-Ray</p></div>
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    <p class="post-info"><span data-time="2025-05-04T07:24:17-07:00" title="May 04, 2025 07:24">05/04/2025</span></p>

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<h2 class="heading-secondary heading-blog alt-font">
  <a href="/news/blog/7549960/recording-at-orbit-studios-in-seattle">Recording at Orbit Studios in Seattle</a>&nbsp;
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  <div class="message"><p>Pretty happy to say I booked some studio time at the acclaimed Orbit Studios in downtown Seattle next May. This will be the beginning of a no doubt longer journey of a studio album release, tentatively titled “Thaw.” The long term goal is to include much more instrumentation outside of my vocals and acoustic guitar with various collaborating artists taking part. Very grateful and excited for what is to come.</p></div>
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    <p class="post-info"><span data-time="2025-03-26T12:02:47-07:00" title="March 26, 2025 12:02">03/26/2025</span></p>

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